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segunda-feira, 28 de fevereiro de 2011

Guillaume Seignac (1870-1924) La Paresseuse

In addition to his training in the academic style, much of Seignac's work displayed classical themes and style, for example, is use of diaphanous drapery covering a woman's body is reminiscent of classical style, in particular the sculptor Phidias.[3] In 1897, Guillaume Seignac regularly exhibited at the Salon and won several honors, including in 1900 honorable mention and in 1903 a Third Class medal.

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